films / videos / installations

bio

films

classes

links

publications

installations

• Countdown Composition 1 (2023)
• Last Light Redux (2022)
• Nothing Lasts Forever (2022)
• Lineage (Squared) (2019)
• Everything Old is New Again (2018)

recent films

(2007-present)

• Beebe's Quickie Karaoke Factory (2022)
• Home Means Never Having to Say You're Sorry (2021)
• Lineage (for Norman McLaren) (2019)
• de rerum natura (2019)
• Amazonia (2019)
• The Comic Sans Video (2018)
• A Metaphor for the End of Just About Everything (2016)
• Tiger Tiger
  [music video for Holopaw] (2016)
• SOUNDFILM Coda (2016)
• Needle in the Sway
  [music video for Holopaw] (2015)
• RIVER RIGHTED/REVERSED RITES (2015)
• SOUNDFILM (2015)
• [sic] series (2014)
• Historia Calamitatum (The Story of My Misfortunes), Part 2: The Crying Game (2014)
• Congratulations (One Step at a Time) (2014)
• The Creation Remixes (2013)
• Contemporary Conversations (2013)
• The Congress of Beauty (2011, rev. 2013)
• Beginnings (2010, rev. 2011)
• AAAAA Motion Picture (2010)
• Money Changes Everything (2009, rev. 2011)
• Can'\t Stop [music video for The Rhombus] (2009)
• Last Light of a Dying Star (2008, rev. 2011)
• tour/TOWER (2008)
• Touch Me Karaoke (2008)

New Maps of the New World

(2001-2006)

• TB TX DANCE (2006)
• S A V E (2006)
• (rock/hard place) (2005)
• One Nation under Tommy (2004)
• Famous Irish Americans (2003)
• Composition in Red & Yellow (2002)
• A Woman, A Mirror (2001)
• The Strip Mall Trilogy (2001)

Experimental Juvenalia

(1995-2000)

• What Boys Want (2000)
• Flicker Primer (1999)
• A Fragmentary History of the 21st Century (1999)
• Dirty Harry and the Hendersons (1998)
• Suggs Must Die! (1998)
• Eat Art (1997)
• Pipeline Reconstruction (1996)
• duet/biology (1995)

Home Means Never Having to Say You're Sorry
a.k.a. Eye/Ear/Touch/Tape
(2021, 10:00, 16mm x 4)

A trip to Michael's becomes a (very late) Modernist investigation of form. Six-foot loops of clear leader crisscrossed by washi tape produce pulses of sound and image slowly built into a densely layered cacophony. The film defies gravity as the projectors are flipped on their side while operating.

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